tag:blogger.com,1999:blog-11095978280614722312024-03-14T02:20:57.471-04:00Behind the SceneOn the scene accounts of San Francisco and European art activities during the 70's and 80's. As of this summer, current events and activities are added.ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.comBlogger169125tag:blogger.com,1999:blog-1109597828061472231.post-76037185532995266082017-12-22T11:18:00.000-05:002017-12-25T11:04:20.631-05:00cOPY aRT 1980 TV<div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/AlWOZK3V0wo/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/AlWOZK3V0wo?feature=player_embedded" width="320"></iframe></div>
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Evening <span style="font-family: inherit;">Magazine </span>1980 </div>
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<b>"<a href="https://bampfa.org/program/way-bay" target="_blank">Way Bay</a></b>, an innovatively organized exhibition of art,
film, performance, poetry, and archival materials, is a sweeping
exploration of the creative energies that have emerged from the San
Francisco Bay Area over two hundred years. Featuring more than two
hundred works by Bay Area artists and others whose work engages directly
with the region’s geographic and cultural landscape, the exhibition
highlights artists—especially women and artists of color—whose
contributions have been under recognized."<br />
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<span class="dates-wrapper">I am represented via a TV promo aired in 1980. I have very short hair because of a performance I was part of at Inter DADA 80.</span><br />
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<span class="dates-wrapper">One component that interests me is the </span><span class="dates-wrapper">San Quentin Prison Studio Mail Art Exchange. Some mail artists I know are sending in work.</span><br />
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<span class="dates-wrapper">Exhibits and activities are held January 17–May 6, 2018</span><br />
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<i>Courtesy of UNIVERSITY OF CALIFORNIA, BERKELEY ART MUSEUM & PACIFIC FILM ARCHIVE, LaMamelle art space, Evening Magazine, and Copy Art Exhibition.</i><br />
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-6627854108764943312017-11-23T00:21:00.000-05:002017-11-29T19:31:29.779-05:00Richard Hambleton - 1952 to 2017<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://1.bp.blogspot.com/-BwI954TVtsE/WhTIpx8PyOI/AAAAAAAAI2w/f1Ec-QBWBngrHfPqL4lz8tEwQA7LV6FXwCEwYBhgL/s1600/rhambleton4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="760" height="400" src="https://1.bp.blogspot.com/-BwI954TVtsE/WhTIpx8PyOI/AAAAAAAAI2w/f1Ec-QBWBngrHfPqL4lz8tEwQA7LV6FXwCEwYBhgL/s400/rhambleton4.jpg" width="252" /> </a></div>
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Scene from <i>Blitzkunst </i>taken in San Francisco 1979 </div>
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<span class="_5yl5"><span class="_5yl5"><span class=" UFICommentActorAndBody"><span data-ft="{"tn":"K"}"><span class="UFICommentBody">Ginny Lloyd:<span class="_5yl5"> </span>Sorry
to read about Richard's death. He stayed at my place in San Francisco for
about a week as a favor for a gallery in town. I hardly saw him since he
slept all day and was out all night working his magic on the city walls
and pavement. I was beginning work on the book "Blitzkunst" so had the forethought to take this photo. I think it says a lot about Richard.</span></span></span></span></span><br />
<span class="_5yl5"><span class="_5yl5"><span class=" UFICommentActorAndBody"><span data-ft="{"tn":"K"}"><span class="UFICommentBody"><span class="_5yl5"><span class=" UFICommentActorAndBody"><span data-ft="{"tn":"K"}"><span class="UFICommentBody"><br /></span></span></span></span></span></span></span></span></span>
<span class="_5yl5">Monty Cantsin Amen: Thanks Ginny, I saved this. Whatever else comes to your mind pls message it, and if you see friends from mail-art or SF connection, etc, let them know I'm collecting memories, many thanks.<span class="_5yl5"> </span></span><br />
<br />
Ginny Lloyd:<span class="_5yl5"> </span><span class="_5yl5"><span class="_5yl5">Thanks Monty for asking for my thoughts or other comments. In my conversations with Richard he had a plan and was determined to achieve stardom. He was handsome in a male model way and very intelligent. He talked about how he wanted a life about “wine, women and song”. </span></span><br />
<br />
<span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5">Monty Cantsin Amen</span></span></span></span></span>:<span class="_5yl5"><span class=" UFICommentActorAndBody"><span data-ft="{"tn":"K"}"><span class="UFICommentBody"> That's a great pic you put up here. Richard was a good model. Do you have it in high res? </span></span></span> </span></span></span></span></span></span></span></span></span></span></span><br />
<span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"> </span></span></span></span></span></span></span> </span></span></span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-obRBXgZo1Dc/WhZUKnOowSI/AAAAAAAAI3A/Q7wtqR3qSB0Rg7Ky67OD-lWJa7HS0GAxwCLcBGAs/s1600/kazuandmonty.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="247" data-original-width="377" height="261" src="https://4.bp.blogspot.com/-obRBXgZo1Dc/WhZUKnOowSI/AAAAAAAAI3A/Q7wtqR3qSB0Rg7Ky67OD-lWJa7HS0GAxwCLcBGAs/s400/kazuandmonty.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kazu Yanagi with Monty Cansin Amen - 1980</td></tr>
</tbody></table>
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<span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5">Ginny Lloyd: </span></span></span></span><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5">Yes I have one. </span></span></span> </span></span><br />
<br />
<span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5">Monty Cantsin Amen</span></span></span></span></span>:<span class="_5yl5"><span class=" UFICommentActorAndBody"><span data-ft="{"tn":"K"}"><span class="UFICommentBody"> I'm writing his biography. Let people know who might have comments.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br />
<br />
<span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5"><span class="_5yl5">Ginny Lloyd: </span></span></span></span>The first time I saw the outlined image looking like a crime scene I hesitated to walk on it wondering what it was for. He liked to watch from a distance to see the reactions people had to this ‘scene”. His impromptu shadow paintings were popular after trying the paper posters. It was obvious he was a painter when you saw the shadow people.
I believe he was in Brazil for a spell living the high life the last time I heard anything about him. Or maybe that was someone else. I don’t like the way the art world has shunned him instead of showing compassion. His story reads like a painter’s tale of a different era, like one of the gifted greats.</span></span><br />
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<span class="_5yl5"> <b>Note</b>: There are several articles about Richard online. He was also part of Club 57, the club discussed in the previous post. </span>In 2010 two rare <a href="https://en.wikipedia.org/wiki/Richard_Hambleton" title="Richard Hambleton">Richard Hambleton</a> pieces at the <a href="https://en.wikipedia.org/wiki/AmfAR,_The_Foundation_for_AIDS_Research" title="AmfAR, The Foundation for AIDS Research">amfAR</a> 17th Annual Cinema Against AIDS Gala During the <a href="https://en.wikipedia.org/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a> sold for $960,000.</div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-82163744199443714722017-11-09T17:16:00.002-05:002018-01-08T12:08:03.612-05:00Club 57 Catalog<div dir="ltr" style="text-align: left;" trbidi="on">
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Amy Chaiklin has done a good job keeping us informed. Thanks Amy!<br />
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The 1982 feminist group exhibition of all female artists
is now documented and published in a museum exhibition catalog, <b>Club
57 and the Short, Happy Life of the East Village Art Scene</b> written by
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<div class="gmail-m-7171558671696965556gmail-m-8193718090740007709gmail-m-690649572645674549gmail-m2568036806256353014gmail-p1">
This exhibit has made Art History! </div>
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Also some additional people you may know exhibited there:<span class="_5yl5"> Carlo Pittore, Buster Cleveland, john EvAns, Sur, and Brian Doherty. Mark Bloch got mentions too. Mark says its a very interesting show.</span><br />
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UPDATE<br />
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<span class="fbPhotosPhotoCaption" data-ft="{"tn":"K"}" id="fbPhotoSnowliftCaption" tabindex="0"><span class="hasCaption">Art History! MoMA Curator Ron Magliozzi writes in his catalogue essay:<br /> <br />
Art is What you Make it: Club 57 and the Downtown Scene, "Homemade
zines and copy art proved among the most useful and accessible mediums
of choice on the downtown scene, and exhibitions such as Watch These
Girls: 19 Women Who Do Copy Art (October 14, 1982), curated by Amy
Chaiklin, confirmed that women had taken the lead in s<span class="text_exposed_show">haping the medium's creative uses.". <br /> <br /> MoMA Club 57 : Film, Performance, and Art in the East Village 1978-1983 Exhibition Catalog Page 16.<br /> <br /> Image: Orginal poster for “Watch These Girls : 19 Women Who Do Copy Art”, offset print, 22 x 18 inches, 1982 </span></span></span></div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-18417046320585323062017-10-19T19:04:00.002-04:002017-10-19T19:04:53.600-04:00Bill Whorrall Exhibits My Kind of Twisted Humor<div dir="ltr" style="text-align: left;" trbidi="on">
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I have corresponded with Bill off and on for over 33 years and this is an example why receiving his art has never gotten <i>stale</i>. Bill, you keep me laughing! Thank you! We need this to counter balance all the news of <i>disasters </i>in the world and Washington, DC.<br />
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-36957310085766982242017-10-17T19:20:00.000-04:002017-10-19T18:53:38.605-04:00Australia Artists Book Fair - Inter DaDa 84 book was selected for the fair<div dir="ltr" style="text-align: left;" trbidi="on">
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Richard Tipping provided this great view of the fair. Click to enlarge this impressive image.<br />
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Volume 2017 - Jim Anderson was there at 5 in the afternoon on Friday (13th October)
and took a few quick photos with the tables barely set up and the crowd
arriving. The F<span class="text_exposed_show">air continues through
Saturday and Sunday. They say the big publishers are having a hard time.
The small publishers are just having fun. You can have a book made on
the spot, have your portrait taken, interviews, talks, videos, a
seminar or two. For aficionados, not to be missed.</span></div>
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Hi Ginny, thanks much for getting a copy of your book, Inter DaDa all
the way from California in '84 to us in Australia in 2017 (a Network
event crosses both the Millenial and the Date Lines making history that
just won't die). The image was made for us by Jim Anderson, famous for
Oz magazines and the Oz magazine trials in London when London was the
centre of the action. Hope to send a few bits and pieces from Jim's
megaphone (better than Donald's) into the grinder of your publicity
machine. Best to you. terry reid<br />
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-69464482717720615172017-10-17T19:04:00.001-04:002017-10-17T19:04:03.584-04:00U.S.P.S Postman Delivers Mail Santa Rosa Fires Drone Video By Douglas Th...<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/3wsegE01zUE" width="480"></iframe>ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-62364701503199633362017-09-22T15:54:00.003-04:002017-10-29T09:22:23.676-04:00Femail XX Mail Art Show - Held in Vermont - Unsung Femail XX Artists and Scientists<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: small;"><span style="font-family: inherit;">Sinclair Scripa created this wonderful mail art show held <span style="color: black;">September 2017 at Stone Valley Arts Center</span><span class="color_20"><span style="color: black;"> </span>in Poultney, Vermont. </span></span></span>Chuck Welch reports, "It looked as if 400 artists from over 30 countries were in this show,
quite possibly Vermont's largest mail art show in over a decade or more ." </div>
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<b><br /></b></div>
<div style="text-align: left;">
<b>Opening Reception: </b>Saturday, September 9th, 2017, 6:00 – 8:00pm<b><br />
</b><b>Forum:</b> Sunday, September 10th, 2017, 3:00 – 5:00pm<br />
<b>Exhibit Dates:</b> September 9 – October 1, 2017<br />
<b>Location: </b>Stone Valley Arts at Fox Hill (145 E. Main Street, Poultney, VT 05764)</div>
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Why the theme? She wanted to create more awareness of the disparity between women and men artists' and scientists' <span style="font-size: small;"><span style="font-family: inherit;">opportunities. To quote </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span class="author-links"><a href="https://www.ninedotarts.com/author/ninedot/" rel="author" title="Posts by Deanne Gertner">Deanne Gertner</a> in</span></span><span style="font-weight: normal;"> "Gender in The Art World, A Look At The Numbers"</span></span></div>
<ul style="text-align: left;">
<li><span style="font-size: small;"><span style="font-family: inherit;">$135 million: the gap between the highest priced artwork ever purchased at auction and the highest price ever purchased at auction for a female artist’s work</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">$51.3 million: the gap between the highest auction record for a living male artist to that of a living female artist</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">1: the number of women included in the top 10 living artists based on total value of secondary market sales (2011-2016)</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">1: the number of Tier I female executive directors (out of 5) in the Scientific & Cultural Facilities District in the Denver metro area</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">0: the number of women on the highest-selling individual lots for living artists (2011-2016)</span></span></li>
</ul>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-38604862656267971832017-07-16T17:09:00.002-04:002017-07-19T13:18:48.094-04:00The Subversive World of ‘Cinderella Stamps’ by Emily Cleaver<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><span style="font-family: "verdana" , sans-serif;"><b>These
tiny artworks can’t be used for postage, but they do send a message. </b></span></span>
</div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><br /></span><a href="http://www.atlasobscura.com/users/emilycleaver?view=articles"><span style="color: blue; font-family: "times new roman" , "serif"; font-size: 12.0pt;"></span></a><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">
</span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><a href="http://www.atlasobscura.com/articles/cinderella-stamps-donald-evans" target="_blank">Atlas Obscura </a>July 13, 2017</span></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-yHrInBpH6pg/WWvPlFsQ7jI/AAAAAAAAIlE/YB1oXSr4oq4-A5IITKPX_sWbz0Tffw5pwCLcBGAs/s1600/Evans_Iles%2BDes%2BSourds.%2B1964.%2BCoquilles%2Bde%2Bmer._%25281974%2529_watercolor%2Bon%2Bpaper_300dpi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="802" data-original-width="1200" height="266" src="https://2.bp.blogspot.com/-yHrInBpH6pg/WWvPlFsQ7jI/AAAAAAAAIlE/YB1oXSr4oq4-A5IITKPX_sWbz0Tffw5pwCLcBGAs/s400/Evans_Iles%2BDes%2BSourds.%2B1964.%2BCoquilles%2Bde%2Bmer._%25281974%2529_watercolor%2Bon%2Bpaper_300dpi.jpg" width="400" /></a></div>
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<i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Iles Des Sourds. 1964. Coquilles de
mer</span></i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">, 1974, Donald Evans Courtesy Estate
of Donald Evans and Tibor de Nagy Gallery, New York </span></div>
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<br /></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><span style="font-size: large;"><b>T</b></span>he stamps issued in the tropical
archipelago of Amis and Amants show a series of arcane islands in miniature
watercolors. The sea sweeps the empty beaches of Outburst of Tenderness. Palm
trees wave beneath stormy skies on the isle of First Love. From the shores of
Fair Weather Friend a distant volcanic peak is visible on the horizon. On the
island of Hand-in-Hand, mountains slope down to neatly ploughed fields.</span></div>
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<br /></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">These are Cinderella stamps;
artifacts that look like stamps but aren’t. These islands of love and
friendship don’t exist. They were painted by the American artist Donald Evans,
who made thousands of stamps for 42 imaginary countries over a short, bright
career, before his death in a house fire in 1977 at the age of 33.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-UnP_bWb1pMY/WWvP085u9-I/AAAAAAAAIlI/FXKIqMYpjw4-QOjoE6jquanDkjNCtxhAwCLcBGAs/s1600/image.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1132" data-original-width="800" height="400" src="https://2.bp.blogspot.com/-UnP_bWb1pMY/WWvP085u9-I/AAAAAAAAIlI/FXKIqMYpjw4-QOjoE6jquanDkjNCtxhAwCLcBGAs/s400/image.jpg" width="282" /></a></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"></span><i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"></span></i></div>
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<i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Sabot.
Poste Maritime., nd</span></i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">, Donald Evans.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Cinderella stamps can be anything
from propaganda messages or charity labels to local stamps for obscure islands
and tiny towns. You can’t send a letter through the official post with a
Cinderella because they have no legal value, but that’s the attraction. It
means anyone can make them, and the only restriction on what you can put on
them is the stamp-maker’s imagination. Donald Evans was the king of the
artistamp, a form of Cinderella made as an artistic work.</span></div>
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<br /></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Artist Ginny Lloyd has been making
artistamps under the pseudonym Gina Lotta since 1975. “An artistamp is a little
museum,” she says. “You create an exhibit within a sheet of stamps. There’s
complete freedom in what you want the content to be. They can have a political
message, commemorate events from your life, whatever you want. I make sheets of
stamps for people I know who’ve died. Some artists make them to distribute their
work outside of the gallery system. Others mimic real stamps as a political
commentary; some have had the Secret Service visit them for counterfeiting.
Artistamps subvert in a quiet way. You have to look closely to see if they’re
real or not.”</span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><i>Gina Lotta
Post Space Series. Courtesy</i> Ginny Lloyd</span></div>
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<br /></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">As a kid Donald Evans built cities
from cardboard, complete with houses and highways, churches and traffic. To
make his imaginary worlds more real he wrote letters from them and made stamps
to put on the envelopes. In the 1950s, between the ages of 10 and 15, he made
hundreds of stamps, recording them in detail in his Catalogue of the World. He
abandoned his hobby as a teenager, returning to it as an artist only once the
cultural landscape had been transformed by Pop Art. (If it was okay to paint
soup cans and comic strips, maybe it was okay </span><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">to
paint fake stamps.) Donald Evans dug out his childhood catalogues and began
making stamps again.</span></div>
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<a href="https://2.bp.blogspot.com/-XVmmLYKtMpQ/WWvQDiNY2lI/AAAAAAAAIlM/6lyTd7ZOvIckjp22qiA4ovNm7M5_NijOwCEwYBhgL/s1600/ev3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1101" data-original-width="800" height="400" src="https://2.bp.blogspot.com/-XVmmLYKtMpQ/WWvQDiNY2lI/AAAAAAAAIlM/6lyTd7ZOvIckjp22qiA4ovNm7M5_NijOwCEwYBhgL/s400/ev3.jpg" width="290" /></a></div>
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<i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><span style="mso-spacerun: yes;"></span>Gnostis. 1949. Magical Symbols</span></i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">, 1972, Donald Evans. </span>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">He created countries to mark
elements of his own life. Anything could be transformed into geography: a meal;
a game of dominoes; a dance; a dinner party; a surname; a pair of shoes, a
friendship, a love affair. His stamp issues minutely explored bird’s eggs,
Chinese plates, Indonesian vegetables, alphabets, penguins, pasta, mushrooms,
windmills, quilts, chairs and shells. To make his stamps look real he carved
erasers to make postmarks and mounted his work on envelopes he distressed and
addressed.</span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">He kept the details of the lands he
thought up deliberately and tantalizingly vague. He wanted viewers to step
through these tiny doorways into worlds of their own imagination. These were
vast territories, large enough to encompass all interpretations.</span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">For other artistamp makers the form
has been a way of making more political points. Unlike mass-produced official
stamps, Cinderellas are hyper-local, often reflecting the personal
preoccupations of the artist. Stamps traditionally commemorate the proud moments
of a country, but Cinderellas can subvert that, marking the shameful or the
perverse. </span></div>
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<a href="https://2.bp.blogspot.com/-L0ha7v6PcMo/WWvQDuKYIfI/AAAAAAAAIlQ/-euOibpH7jcFhwgWGmmXTc2ia2goZAtdACEwYBhgL/s1600/evpear.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1084" data-original-width="800" height="400" src="https://2.bp.blogspot.com/-L0ha7v6PcMo/WWvQDuKYIfI/AAAAAAAAIlQ/-euOibpH7jcFhwgWGmmXTc2ia2goZAtdACEwYBhgL/s400/evpear.jpg" width="295" /></a></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"></span><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"></span></div>
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<i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Achterdijk. 1966. Pears of
Achterdijk (Fondante de Charneu of Legipont),1972, </span></i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Donald Evans</span><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"> </span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Artist Karl Schwesig drew faux
stamps while imprisoned in 1940 at the Gurs concentration camp in southern
France. He drew what he saw around him; the barbed wire, the guards; the
bodies, the coffins heading for the burial ground. In the 1960s the Fluxus
experimental art movement started using used stamps and mail art as a form of
‘living art’, a collaborative, anti-commercial medium that they sent out into
the world instead of displaying in a gallery. Canadian conceptual artist Anna
Banana, whose work satirises authority by parodying its symbols and concepts
using the humble, humorous and nonsensical banana, produced a series of
banana-themed stamps. Russian artist Natalie Lamanova has used stamps to
explore issues of identity, ownership and control in 1990s post-Soviet Russia.
American mail artist Otto David Sherman has been making stamps since the 1970s
that highlight the disparity between the way nations represent themselves in
official imagery and the actual actions of their rulers, depicting corrupt
politicians and despots and showing first-world leaders in farcical poses;
Vladimir Putin in a top hat, Donald Trump juxtaposed with a chimpanzee.</span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">The
artistamp community today is a DIY culture of makers swapping stamps through
the post, mixing up drawing with image-editing software, color printing with
pinking shears, internet forums with the traditional mail network. For a new
generation it’s retaliation against the global with the super-local, against
the mass-produced with the slow-made. </span></div>
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<a href="https://1.bp.blogspot.com/-gBu07nQW-5A/WWvQD0BArlI/AAAAAAAAIlU/kMmiiMiWqqoNrzC0HhR9kmrkrd1y6pm3QCEwYBhgL/s1600/ev4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1115" data-original-width="800" height="400" src="https://1.bp.blogspot.com/-gBu07nQW-5A/WWvQD0BArlI/AAAAAAAAIlU/kMmiiMiWqqoNrzC0HhR9kmrkrd1y6pm3QCEwYBhgL/s400/ev4.jpg" width="286" /></a></div>
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<i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Adjudane. 1922. Pictorals</span></i><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">, 1972, Donald Evans. </span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Mail art creator Vittore Baroni has
said that “Artistamps rebel against the monopoly of governmental emissions,
claiming the right for everyone to self-produce and issue virtual values in any
possible shape, number and subject.”</span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">The countries Donald Evans created
were peaceful, their politics idealized. The Island of the Deaf is a silent
paradise with a capital called Hand-Talk. The country of Stein with its capital
Gertrude is a literary dictatorship with 100 percent literacy. The imperial
kingdom of Caluda emerges from a native takeover as the new independent state
of Katibo, the Sudanese dialect word for a black man who sets himself free. He
told the Paris Review in 1975 that his stamps were a “vicarious traveling for
me to a made-up world that I like better than the one I’m in. No catastrophes
occur. There are no generals or battles or warplanes on my stamps. The
countries are innocent, peaceful, composed.”</span></div>
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<a href="https://4.bp.blogspot.com/-BdU02g6G0o4/WWvQEI2qTgI/AAAAAAAAIlY/dGBpu3_zI6wLL8HATWUTzlACoXszAsW6gCEwYBhgL/s1600/evshop.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="579" data-original-width="750" height="308" src="https://4.bp.blogspot.com/-BdU02g6G0o4/WWvQEI2qTgI/AAAAAAAAIlY/dGBpu3_zI6wLL8HATWUTzlACoXszAsW6gCEwYBhgL/s400/evshop.jpg" width="400" /></a></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><i>Gina Lotta Post Future Series. Courtesy </i>Ginny Lloyd </span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Ginny Lloyd sees in the artistamp an
echo of a childhood fascination with unknown worlds. “The excitement I feel
when I receive artistamps in the post is the same excitement I used to feel as
a child when I would get packages of loose stamps for my collection. I would
spend hours looking at all of these beautiful places outside of my very small
town, dreaming about travel. I wanted to know more about other worlds and this
was one of the ways I learned.”</span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">The art of Donald Evans was subject
to a raft of self-imposed restrictions. He only painted stamps, always in the
same sizes with frequently recurring themes, in washed out colors painted with
the same brush. He used this sameness, this deliberate smallness, to explore
the infinite. His stamps are pieces of physical evidence sent directly from the
limitless landscape of the imagination. </span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><br /></span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">For more information about artistamps and a gallery of work by many artists regularly updated see <a href="https://artistampmuseum.blogspot.com/">https://artistampmuseum.blogspot.com/</a> Books on the topic are also available.</span></div>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-2630859952139872532016-11-24T11:32:00.004-05:002016-11-24T11:35:39.151-05:00FeMail Artists - West Coast Correspondence Art School<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://1.bp.blogspot.com/-F0MuL-ypSsU/WDcTpCkU-PI/AAAAAAAAIYY/SXhDYET7uUQkDtOZN6x7_BxsQJX8POVHQCLcB/s1600/23965_1334901005554_3130962_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="293" src="https://1.bp.blogspot.com/-F0MuL-ypSsU/WDcTpCkU-PI/AAAAAAAAIYY/SXhDYET7uUQkDtOZN6x7_BxsQJX8POVHQCLcB/s400/23965_1334901005554_3130962_n.jpg" width="400" /></a></div>
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There is some discussion about where this was taken but it is late 80s. I know because I am wearing a fave work outfit. Think it was Judy Hoffberg who took the photo.</div>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-82477958224622493062016-11-06T18:33:00.001-05:002016-11-24T11:43:18.315-05:00The Most Dada Thing: Neo-Dada in San Francisco<div dir="ltr" style="text-align: left;" trbidi="on">
Tuesday, November 1, 2016 through Saturday, December 31, 2016<br />
San Francisco Public Library, Skylight Gallery, 6th Floor, 100 Larkin Street, San Francisco, California, 94102<br />
<br />
The San Francisco History Center's SF Punk Archive and Book Arts & Special Collections are pleased to present <a href="http://interdada84.blogspot.com/" target="_blank"><b>The Most Dada Thing</b>,</a> an<b> </b>exhibition of artifacts left behind by the Bay Area Dadaists and the creators of Inter Dada 84.<b> <a href="http://interdada84.blogspot.com/" target="_blank">Inter Dada 84</a></b> was an internationally attended celebration of the spirit of DADA. It
took place over seven days in Sept, 1984 in multiple SF locations,
showcasing performances, videos, films, mail art, photography, lectures
and carousing.<br />
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<a href="https://4.bp.blogspot.com/-v_YnBxUD1RE/WB-8pXrAppI/AAAAAAAAIXg/iUjf5QBax5IxdsNxrrdH3mAuaV4XFLLNQCLcB/s1600/14884425_10153849075247307_4058093685973713981_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://4.bp.blogspot.com/-v_YnBxUD1RE/WB-8pXrAppI/AAAAAAAAIXg/iUjf5QBax5IxdsNxrrdH3mAuaV4XFLLNQCLcB/s320/14884425_10153849075247307_4058093685973713981_o.jpg" width="320" /></a></div>
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<![endif]--><span class="textexposedshow">As part of the <a href="http://www.dadaworldfair.net/#cover-page" target="_blank">SF Dada World Fair</a> </span><span class="textexposedshow"></span>my collection of Inter DADA 84 posters, publicity
cards, etc and a selection of mail art are on exhibit at the SF Library's 6th
floor Skylight Gallery. It will be available to see through December 31st.
Check out the photos at the <a href="http://interdada84.blogspot.com/" target="_blank">blog</a>.<span style="mso-spacerun: yes;"></span>
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-OvpSdSZWrLI/WC4pVTeKf-I/AAAAAAAAIX8/nNoDhNmNRfIUtBupYAaL20Aw2sCqHy0RwCLcB/s1600/mailart1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://3.bp.blogspot.com/-OvpSdSZWrLI/WC4pVTeKf-I/AAAAAAAAIX8/nNoDhNmNRfIUtBupYAaL20Aw2sCqHy0RwCLcB/s400/mailart1.jpg" width="400" /></a></div>
<br />
<br />
Also the book <i>InterDADA84: True DADA Confessions</i> is for sale at City Lights
Books or at my online <span class="textexposedshow"><a href="http://www.lulu.com/spotlight/ginnylloyd" target="_blank">store</a>. Videos are at the Interdada 84 blog.</span><br />
<br />
<i><span style="font-size: x-small;">This exhibit is sponsored by the San Francisco History Center’s SF Punk Archive and Book Arts & Special Collections.</span></i><span class="textexposedshow"></span><br />
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<span class="textexposedshow"><br /></span></div>
<span class="textexposedshow">
</span></div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-65117666670475104072016-08-07T15:02:00.000-04:002016-08-07T15:02:21.957-04:00Fluxus Toast Score Performance @ Chicago Fluxfest<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: center;">
<br /></div>
<iframe allowfullscreen="" frameborder="0" height="266" src="https://www.youtube.com/embed/pHsg2JRzyPc?list=PL9Ojsy1FmDkKEKGIAbKcXvkJmQ53FTdSD" width="320"></iframe></div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-34859844885476024902016-07-18T21:11:00.001-04:002016-07-21T11:13:39.533-04:00A COLLECTOR’S THOUGHTS<div dir="ltr" style="text-align: left;" trbidi="on">
I’ve been a collector most of my life.<span style="mso-spacerun: yes;"> </span>I started out as a child collecting
seashells, marbles, comics, stamps, posters, cameras, postcards, etc.<span style="mso-spacerun: yes;"> </span>I’ve managed to pare down most of these
collections with an over ambitious mother who gave away many of my childhood
collections.<span style="mso-spacerun: yes;"> </span>Now I am more focused in my
collecting practice adding to my largest collection, artistamps {artist made
stamps).
<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-0skCIOCEC2c/V42BaHkG9AI/AAAAAAAAH8s/0U0HLyDgJ1sJEdGqhH1lU3GlFRmnWeRwwCLcB/s1600/ottoottoMh%2B%25282%2529.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="155" src="https://3.bp.blogspot.com/-0skCIOCEC2c/V42BaHkG9AI/AAAAAAAAH8s/0U0HLyDgJ1sJEdGqhH1lU3GlFRmnWeRwwCLcB/s200/ottoottoMh%2B%25282%2529.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">by Otto Sherman</td></tr>
</tbody></table>
<div class="MsoNormal">
I’ve had success obtaining some of the items in my
collections on auction sites, have sold some of my own works online and I’ve
been happy with the results.<span style="mso-spacerun: yes;"> </span>Some tips follow
to help a new collector or a refresher for the experienced:</div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><br />What is your
collecting goal?</b></div>
<div class="MsoNormal">
Pick a passion; something you are drawn to; create a focus to
your collecting and become knowledgeable of the art, the history, and the
artists.<span style="mso-spacerun: yes;"> </span>Give it your own point of view.
If you choose something unusual you may find your sources may be less yet your
finds can be more rewarding.</div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;">How will you add to
your collection?</b></div>
<div class="MsoNormal">
If you are on a budget and you make art too, you can trade
or barter. You can buy one piece at a time or if you prefer you can acquire
whole collections. <span style="mso-spacerun: yes;"> </span>Online auctions are
great for that. Don’t be shy about asking for a discount.<span style="mso-spacerun: yes;"> </span>Senior women artists are considered a good
bargain right now.<span style="mso-spacerun: yes;"> </span>They have established
a track record and usually make high quality art.</div>
<div class="MsoNormal">
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-2-1HG0MZV1o/V42B278vu4I/AAAAAAAAH8w/9Lemug2OKJMQ2ArkEvVFI9dojtdgI77VQCLcB/s1600/crackerjkMh.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://2.bp.blogspot.com/-2-1HG0MZV1o/V42B278vu4I/AAAAAAAAH8w/9Lemug2OKJMQ2ArkEvVFI9dojtdgI77VQCLcB/s200/crackerjkMh.jpg" width="149" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">by Chuck Welch</td></tr>
</tbody></table>
<b style="mso-bidi-font-weight: normal;">How can you attract
artists or find them for your collections?<span style="mso-spacerun: yes;">
</span>How will you communicate with the artists?<span style="mso-spacerun: yes;"> </span></b></div>
<div class="MsoNormal">
Social media is a wonderful way of locating other like minded
collectors and artists.<span style="mso-spacerun: yes;"> </span>This includes
websites, blogs, online auction sites for <a href="http://www.invaluable.com/fine-art/pc-SG2BIX3JPJ/">fine art</a> like
Invaluable, and attending live auctions and exhibitions.<span style="mso-spacerun: yes;"> </span>Identify underappreciated artists or underappreciated
works by acknowledged artists for other sources of bargains.<span style="mso-spacerun: yes;"> </span><br />
<span style="mso-spacerun: yes;"><br /></span></div>
<div class="MsoNormal">
On Facebook you can setup groups on themes to attract like
minded members to follow, put out calls for work and host discussions. Some of
my best tips have been found online. <span style="mso-spacerun: yes;"> </span>Tweet about your interests.<span style="mso-spacerun: yes;"> </span>When I first started posting my <a href="http://artistampmuseum.blogspot.com/" target="_blank">Gina LottaPost Artistamps Museum and Archive</a> I was surprised by the overwhelming positive
response.</div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;">What are the benefits
of networking?</b></div>
<div class="MsoNormal">
You may find other collectors who will trade for works by an
artist you collect.<span style="mso-spacerun: yes;"> </span>Social media is a
great place to discover networking events and conferences, and congresses<br />
.</div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">How will you organize
and store your collection?</b></div>
<div class="MsoNormal">
Creating a database at the minimum from the inception of
your collection will provide you with more access to the works, information
you’ve gathered for notes can be used for provenance and appraisals.<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-uCM4FW4JGOU/V42CYnTt-2I/AAAAAAAAH84/3cdKwFw943wR7DoKch3ARuzqHmy1cneYwCLcB/s1600/smithssMh.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://3.bp.blogspot.com/-uCM4FW4JGOU/V42CYnTt-2I/AAAAAAAAH84/3cdKwFw943wR7DoKch3ARuzqHmy1cneYwCLcB/s200/smithssMh.jpg" width="165" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">by Steve Smith</td></tr>
</tbody></table>
<span style="mso-spacerun: yes;"> </span><br />
<span style="mso-spacerun: yes;"><br /></span></div>
<div class="MsoNormal">
Start your archiving of your records from the beginning by creating
and maintaining a database of some sort listing your acquisitions, the artist,
where they are located, and any other notes that you might want included.<span style="mso-spacerun: yes;"> </span>By starting this early it will be easier to
maintain instead of creating this database later. It may be more practical to uniquely
classify your collections by not archiving each in the same manner.<span style="mso-spacerun: yes;"> </span>For instance my film photography is archived
completely different from my digital photography based upon the usage and accessibility
of the digital. It’s easier to make multiple digital copies for subject files
where as the negatives have a contact sheet and a year and subject reference.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>©2016 ginny lloyd</i></div>
<i>
</i><br />
<div class="MsoNormal">
<br /></div>
</div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-41327122878504170792016-03-05T23:07:00.001-05:002016-03-06T12:26:10.345-05:00How to Beat the Post Office Mail Art Show <div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: center;">
<br /></div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
</div>
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</div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
</div>
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="266" src="https://www.youtube.com/embed/iE3t_6QAc1Q" width="320"></iframe><br />
<div style="text-align: justify;">
How to Beat the Post Office Mail Art Show <br />
Santa Monica College's Art Department - an international mail art exhibition Oct. 15 to Nov. 2, 1979<br />
A
lecture on mail art by Judith Hoffberg and a mail-art workshop
conducted by Michael Mollett, Jeff Ginsberg, Don Emery and Lon
Spiegelman. </div>
</div>
</div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-49212191633843951982016-02-10T20:33:00.001-05:002016-02-11T23:06:09.135-05:00William S Wilson (Bill) - 1932 to 2016<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/_eBzAePsoCA/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/_eBzAePsoCA?feature=player_embedded" width="320"></iframe></div>
<br />
Sad news - Bill and I grew up across the river from each other and our families were connected since 1600s. It was Ray who first learned of the connection and brought us together. He was incredibly generous sending me a large box of Ray J postcards and note pads to hand out to workshop participants. I miss him!<br />
<br />
This is a test video taken with a drugstore toy camera that shares Bill's fun side.</div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-43413800877727589772016-01-07T11:28:00.002-05:002016-01-07T11:58:25.418-05:00CHOREOGRAPHY FOR COPY MACHINE (PHOTOCOPY CHA CHA)<div dir="ltr" style="text-align: left;" trbidi="on">
<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="https://player.vimeo.com/video/11827163" webkitallowfullscreen="" width="500"></iframe><br />
<br />
Another fabulous copy art film. By Chel White 1991</div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-19086499464249228882015-11-05T09:06:00.000-05:002015-11-05T10:50:10.266-05:00Copy Art Exhibition - 1980 - LaMamelle Gallery San Francisco<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
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<a href="http://2.bp.blogspot.com/-WfY1_dSJ-R0/Vjthog0sqJI/AAAAAAAAHU4/Do0WAfcANQI/s1600/copyartshow-80b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="258" src="http://2.bp.blogspot.com/-WfY1_dSJ-R0/Vjthog0sqJI/AAAAAAAAHU4/Do0WAfcANQI/s400/copyartshow-80b.jpg" width="400" /></a></div>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-2792802995453690272015-10-31T19:13:00.000-04:002017-03-21T10:04:53.268-04:00Real News Score Performance <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="mso-fareast-font-family: "Times New Roman";">Performance artist extraordinaire, Jennifer Weigel performed the Real News score at the </span><span style="mso-fareast-font-family: "Times New Roman";"><!--[if gte mso 9]><xml>
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</xml><![endif]--></span><span style="mso-fareast-font-family: "Times New Roman";"><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">Nature of Experience conference</span>. Salem, Mass August 15 - 19, 2015</span></div>
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<i><span style="mso-fareast-font-family: "Times New Roman";"><a href="http://isce.evolero.com/the-nature-of-experience" target="_blank">The-nature-of-experience</a> website.</span></i></div>
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<i><span style="mso-fareast-font-family: "Times New Roman";">Be,
of the American Family Happily Institute, put this video
together. Please
feel free to learn more about the American Family Happily Institute (AFHI)
online, YouTube and on Facebook. </span></i></div>
<i>
</i><br />
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<i><span style="mso-fareast-font-family: "Times New Roman";"><a href="http://www.happilypeople.org/">http://www.happilypeople.org/</a></span></i></div>
<i></i></div>
ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-77548661932526220252015-10-28T09:00:00.000-04:002016-03-31T11:26:21.274-04:00Making the COPY ART EXHIBITION Billboard - 1980 -<div dir="ltr" style="text-align: left;" trbidi="on">
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<div style="text-align: center;">
<a href="http://ginnylloyd.blogspot.com/2010/04/worlds-first-copy-art-billboard.html" target="_blank">Worlds-first-copy-art-billboard</a> explained.</div>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-60577206629697637992015-10-23T20:44:00.001-04:002015-10-23T20:55:10.024-04:00Widrich Virgil - Copy Shop (2001)<div dir="ltr" style="text-align: left;" trbidi="on">
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A brilliant use of the copy machine. Virgil
Widrichs "Copy Shop", a short film about a man who copies himself until
he fills up the entire world. The film won 35 international awards, got
an Oscar-nomination and was shown on over 200 festivals and in many
cinemas and TV channels worldwide. <br />
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-25641830990104181082015-09-22T11:22:00.001-04:002015-09-22T11:56:04.826-04:00Copy Art - Register, 1990<div dir="ltr" style="text-align: left;" trbidi="on">
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Some good copy art!</div>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-41178308193629358142015-08-22T21:05:00.004-04:002015-12-15T11:57:04.924-05:00Wild Women Surrender<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://2.bp.blogspot.com/-xXuBSI28vTQ/VdknAtVT15I/AAAAAAAAHDo/sUKdq1yzk0U/s1600/invite2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="136" src="http://2.bp.blogspot.com/-xXuBSI28vTQ/VdknAtVT15I/AAAAAAAAHDo/sUKdq1yzk0U/s200/invite2.jpg" width="200" /></a><span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%;">In 1986 an opportunity to put together an
installation show in a former motel’s five rooms ended up in my lap. I had not
worked in the entertainment installation format often but decided to “give” my
rooms to four other artists under the theme Wild Women. <o:p></o:p></span></div>
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<a href="http://4.bp.blogspot.com/-2T1k5TmaeTM/VdknAn06yII/AAAAAAAAHDk/dUewrRRhkBc/s1600/onvite.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="138" src="http://4.bp.blogspot.com/-2T1k5TmaeTM/VdknAn06yII/AAAAAAAAHDk/dUewrRRhkBc/s200/onvite.jpg" width="200" /></a><span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%;">The premise of the theme was to pick an aspect of
the female psyche expressing itself when going wild, meaning free from restraint.
What happens?<o:p></o:p></span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%;">Each woman (Anna Banana, Donna Mae Shaver, Doris
Boris Berman, and Susan K) chose a different aspect that included sexual
wildness, spiritual practice, back to the earth connection, political activist,
and emotional purge. Her room was to reflect her chosen theme and the artist
had to interact with the installation in some way on opening night. Each of the
artists had a wild side to their personalities making them a good mix.<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-h2gcWmZYKUE/Vdkm6kQx4KI/AAAAAAAAHDM/ruM3mkiDOyE/s1600/anna.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="132" src="http://3.bp.blogspot.com/-h2gcWmZYKUE/Vdkm6kQx4KI/AAAAAAAAHDM/ruM3mkiDOyE/s200/anna.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anna</td></tr>
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<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-wVQER0Vb1OU/VdknLznTlFI/AAAAAAAAHDs/DQAzipjd2x4/s1600/susan.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="133" src="http://1.bp.blogspot.com/-wVQER0Vb1OU/VdknLznTlFI/AAAAAAAAHDs/DQAzipjd2x4/s200/susan.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Susan</td></tr>
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<span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%;">It was a successful turn out at the opening and many
people grasped the concepts, especially the women. One budding writer (male)
however did not like/understand it all even leaving out one installation
completely in his review. Too bad!<o:p></o:p> </span><br />
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<span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%;">But the news I want to get to is something I learned
this week. Two of the women died who were in that show, caught by cancer.
That’s a high percentage. <span class="uficommentbody">Donna Mae Shaver (Montgomery)
January 9, 2010 and Doris Boris Berman May 10, 2015. To learn of two in one
week rocked my world a bit.</span><o:p></o:p></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Donna Mae</td></tr>
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<span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Donna Mae
was a photographer and worked in other media as well, became a part of the
neo-Dada scene in the Bay Area, showing her work in a gallery during the Inter
DADA 84 week and participating in a photo group. I did not know her well but
her art was always well made and quirky in a memorable way.<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-p7XB3njG4mw/VnBFEC_ua8I/AAAAAAAAHic/YG4WWfVK-5I/s1600/pkw0080.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="http://2.bp.blogspot.com/-p7XB3njG4mw/VnBFEC_ua8I/AAAAAAAAHic/YG4WWfVK-5I/s200/pkw0080.jpg" width="141" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Peter Kaufmann artist</td></tr>
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<span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">I knew Austrian
Doris Boris much better especially in the early 80s. Another photographer, she
showed her work at my space The Storefront and other spaces we both participated in. According
to her obituary she grew up in Salzburg (in her family’s castle) and achieved
recognition as a recording artist under the name Isabell Domin. To pursue her
career as a multi-media artist she moved to the United States.<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-NFqD-EJtPl4/Vdkm7NsQP0I/AAAAAAAAHDY/Nq4KjfcM938/s1600/dbbginny.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="http://4.bp.blogspot.com/-NFqD-EJtPl4/Vdkm7NsQP0I/AAAAAAAAHDY/Nq4KjfcM938/s200/dbbginny.jpg" width="145" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo of Ginny by Doris Boris</td></tr>
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<span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">We were
both fans of Nina Hagan and Doris Boris could do a great impersonation of her. We
clubbed together in Berlin (most memorable was the Cave an old cavern wine cellar type place) with friends while I was there on my way to Poland, staying at an apartment with a European prince she knew. She took me for my first
exposure to a massive anti-American demonstration, with the black ski masks and
burning effigies. I was under strict instruction to watch but not speak for my
safety. <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-3d_1CTgUT_A/Vdkmm7p-K-I/AAAAAAAAHDA/-8vlSlbCkMM/s1600/dbb.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="http://2.bp.blogspot.com/-3d_1CTgUT_A/Vdkmm7p-K-I/AAAAAAAAHDA/-8vlSlbCkMM/s200/dbb.jpg" width="168" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Art by Doris Boris</td></tr>
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<span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">The Berlin
wall had not been knocked down yet and the mood in the city was bleak. I went over
to East Germany one day to visit the </span><span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span class="st">Rehfeldts </span> accompanied by Doris Boris as
far as a bar on the East side. We sat for awhile to people watch the fascinating
comings and goings through the checkpoint. <o:p></o:p></span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;"> </span>“She was equally at home in San Francisco, New
York, Berlin and Paris. A real pop princess her vitality and creativity touched
many lives.”</span></div>
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<i><span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%;">In
2008 her friend Perry Vasquez produced a documentary film, Fotoaktion! about
her life and work. </span><span data-offset-key="5e6g3-0-0" data-reactid=".am.1:6.0.$right.0.0.0.0.1.0.0.$editor0.0.0.$5e6g3.0:$5e6g3-0-0"><span data-reactid=".am.1:6.0.$right.0.0.0.0.1.0.0.$editor0.0.0.$5e6g3.0:$5e6g3-0-0.0">If you like performance art there's some interesting info. Can you find me in the video?</span></span><span style="font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></i></div>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com1tag:blogger.com,1999:blog-1109597828061472231.post-33995591597729738732015-06-21T09:56:00.000-04:002015-06-21T09:56:24.627-04:00READ French?<div dir="ltr" style="text-align: left;" trbidi="on">
<span class="fbPhotosPhotoCaption" data-ft="{"tn":"K"}" id="fbPhotoSnowliftCaption" tabindex="0"><span class="hasCaption">My
photo on the cover of the French edition of Fairyland, published March
12th. Script for film is in progress. Buy a copy from me. I have a limited number for sale.</span></span><br />
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<span class="fbPhotosPhotoCaption" data-ft="{"tn":"K"}" id="fbPhotoSnowliftCaption" tabindex="0"><span class="hasCaption"><a href="http://2.bp.blogspot.com/-Utb8h1ODVDY/VYbCMMyP19I/AAAAAAAAG6E/TugHMam3PDo/s1600/fairyland-Ginny-Lloyd-176x264.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-Utb8h1ODVDY/VYbCMMyP19I/AAAAAAAAG6E/TugHMam3PDo/s400/fairyland-Ginny-Lloyd-176x264.jpg" width="266" /></a></span></span></div>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-43944268401610618002015-06-15T09:18:00.002-04:002015-08-22T08:13:09.623-04:00Found in the Archives - More Copies of Blitzkunst Available - SOLD OUT in Europe!<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-544zx7vF5uA/VX7NHqL2o4I/AAAAAAAAGyk/jl5MqNctK5c/s1600/img354.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="http://3.bp.blogspot.com/-544zx7vF5uA/VX7NHqL2o4I/AAAAAAAAGyk/jl5MqNctK5c/s400/img354.jpg" width="307" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ray Johnson liked this book. He would ask me about it and wanted more. I asked him what for, and he said he sold them to galleries and art spaces. Huh! I'll send a copy of this note if you ask for it when making a purchase.</td></tr>
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-8613622565443252992015-04-29T08:38:00.002-04:002015-04-29T08:38:23.723-04:00GRAZIE Article Uses Photo In Print Edition<div dir="ltr" style="text-align: left;" trbidi="on">
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com0tag:blogger.com,1999:blog-1109597828061472231.post-47027958307631069092015-01-27T19:54:00.000-05:002015-01-28T12:42:10.846-05:00The Public Face of Mail Art 1970-1985<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://1.bp.blogspot.com/-402ZnUYeg_w/VMgy5bhm9hI/AAAAAAAAGGI/q2TxPC-zntA/s1600/cracker%2Bcopy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-402ZnUYeg_w/VMgy5bhm9hI/AAAAAAAAGGI/q2TxPC-zntA/s1600/cracker%2Bcopy.jpg" height="258" width="400" /></a></div>
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Crackerjack's aka Chuck Welch artistamps from the Gina Lotta Post Artistamp Museum collection.<br />
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<a href="http://www.lomholtmailartarchive.dk/focus/focus-5-chuck-welch-global-network-zines" target="_blank">Chuck Welch Writes for Lomholt Mailart Archive,</a> a perfect addition to Behind the Scene. Its a long read but well worth the time. I learned quite a bit from this. Also check out Lomholt's archive - well executed.<br />
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ginnylloydhttp://www.blogger.com/profile/13876674751006259046noreply@blogger.com1